A lot of people who disagreed with my opinions sternly suggested that I should be more positive and support Black films regardless of the content. Honestly, I can understand their position, but if you’re going to say so, then practice your film going (and buying) habits as you preach.
This weekend Be Cool was released in theatres across the country. John Travolta stars in this sequel to one of my favorite films, 1995’s Get Shorty. In the original, Miami mobster Chili Palmer comes to Hollywood to collect a debt for his boss and discovers that his “talents” lend well to becoming what he always dreamed: a movie producer. In Be Cool, Palmer is fed up with the movie industry and decides to break into music production. Now, I know that a lot of black folks have not nor will ever willingly watch Get Shorty, but to support your arguments about WHOLEHEARTEDLY SUPPORTING BLACK FILM, I want all of you to go out there and support this new flick.
You may be unaware, but the director of Be Cool is F. Gary Gray. He is the excellent director of such films as Set It Off, The Negotiator (another of my favs), and The Italian Job (He also directed Friday, but hey we all gotta start off somewhere [and yes, I’m quite aware that I’m among the literal handful of young black folks who didn’t like Friday]). Gray does really good work, so even if you don’t like Travolta, then go support this film to show your support behind this Black man. And hey, it is a comedy too, so you won’t have to worry about taking life too seriously.
While you’re at it, remember to buy Spike Lee’s latest film, She Hate Me, which was released on video and DVD in late January. Also go buy last summer’s King Arthur and the Blues music documentary Lightning In A Bottle, both directed by Antoine Fuqua of Training Day and Bait. And don’t forget last year’s Woman Thou Art Loosed too because I bet most of you didn’t make the effort to go see that. There are so many others to go support too, other films that are really good (or at least directed well) that are too numerous to place here, but go support those too.
If you’re going to preach, then lend your efforts across the board. Your support for Tyler Perry is just as important as your own for Gray and Fuqua and especially for Spike, who opened up so many doors for modern black films and filmmakers.
2 comments:
I agree with your comments. I'm not a fan of Tyler Perry's works and have no desire whatsoever to see the movie. I do not begrudge him his success, but making lots of money does not equate to saying or portraying something meaningful. I just want to know when we're going to get to a point were we can support or refuse to support someone based upon the quality of the work and not the color of the skin. Supporting every black artist that produces something, just because they were black -- is giving my power away. I'm not proving anything to Hollywood except that me and a million others are a bunch of suckers with no mind for quality craftmanship. I would go on... but I've ranted long enough.
More power to you brother. Keep writing... I'm doing the same thing in my part of the world. :) Good luck!
I’m an avid film watcher. I tend to see more movies in the theater than average 4 to 5 plus a week. I saw “Diary” and while it was melodramatic in the beginning and I wanted to thwack Kimberly Elise’s character in the beginning for being so overly pitiful, overall it was a pretty cool movie. Nowhere near insulting as some other films have been. And my two cents as an English major, I find Tyler Perry’s dialogue, particularly for Madea, Shakespearean. Now does that make it more worthy or highbrow because it’s reminiscent of a Eurocentric idol? Not really. I find his word play clever, engaging, and entertaining and on top of that I celebrate his success. I just saw “Be Cool” and it was…ok and full of its stereotypes, but entertaining…to a point. Very reminiscent of “Pulp Fiction”. I support film in general – I enjoy the art in all its goodness and cruddiness. The goodness pleases and the crud allows me to pull it apart. I am particularly moved when a person of color takes a prominent role in front and/or behind the camera – now that may look like me lambasting a film for being a mess like “Soul Plane” or crying at the end of “Ray”. Simply, everyone has a choice to support or not support…it’s your money. I don’t watch films with any particular agenda. I watch them to be moved, to recapture my childhood, whatever. Sometimes they are good and often, very often, most often they are bad…most films coming out of Hollywood are…but I will say this, if you haven’t seen the film, you can’t say much about it, other than critique the trailer and regurgitate a reviewer’s opinion and that’s cool, they sometimes help. My particular standard for Black film – I watch it before I declare the downfall of the race and then I celebrate good filmwork and revel in the horror of a truly bad film and wonder why the heck it was made…
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